Our basic reason for being is to transform lives and communities throughout Queensland through music,” says Katie. “We do that in a multitude of ways, but the main thing I think we do better than anyone else is genuine community engagement outside of metropolitan and major city areas. “We aim to empower Queenslanders from all walks of life with the power of music and I believe everyone deserves music. Music is the maker of friends and a great equaliser and I really do genuinely believe it’s a very powerful tool for healing and communication and reconciliation.” Not only is Katie the first Queensland artistic director, she is also the youngest and only the second female in the position in the 20 years it has been running. “Being the first Queenslander is awesome but it’s a bit of a depressing fact too, really. And I think it is actually a reflection of the cultural cringe we have felt – the perception that if you are from Sydney or Melbourne you are better,” says Katie. “I vehemently don’t believe that is true. I have been lucky enough to tour the country and the world and I know we make world class art here. Whether that be dance, circus, ballet, music, visual arts, photography or sculpture – it can stand next to any art in the world.” Fundamentally, Katie’s role involves designing a program that responds to community needs and she has certainly achieved that in spades since she has been at the helm. “I work with the team to come up with a program that is a combination of artistic excellence and accessibility,” says Katie. “Last year on the Sunshine Coast we did the Currie Street music crawl, which was a free event in a town that is going through change and a lot of young people with maybe not enough for them to do. “We had 25 bands over five venues for free and it was a smash hit, it couldn’t have gone better. It focused on local talent, indigenous musicians, female musicians – something Nambour has never seen before.” Passionate about creating programs that offer reflection and celebrate our cultural diversity and cultural legacy, Katie says music is a powerful way to express emotions. “The biggest program last year involved a 2500-strong choir performing a concert called You’re the Voice designed to raise awareness about domestic and family violence,” says Katie. “This is a prevalent issue in Queensland homes. We worked with Rosie Batty, Quentin Bryce and the Allison Baden-Clay Foundation. Allison’s children and parents were singing alongside survivors, it was very powerful.” Aside from the biannual program, there are also a number of annual programs. “This year we have Score IT!, which is a film scoring competition open to every single high school student in Queensland. We also have the Carol Lloyd Award, where we give $15,000 to an emerging singer/songwriter who identifies as a female to either make an album or EP and tour regional Queensland,” she says. “We are a very unusual model in that we are not a traditional festival model in any way because we do really serious long term community engagements. Our big project during the last festival was in Moranbah in the Isaac Region, which brought together five disparate towns of Moranbah, Glen Eden, Middlemount and Dysart for the world premiere of a musical that was free for the community. It had a cast of 300 locals, some of whom had never been on a stage before in their life. “Another annual event is the Yaraba Festival in Cairns, that’s pretty amazing and another series is Twilight at the Red Box, a free classical music chamber program at the State Library of Queensland and we are co-presenting Songs That Made Me for the Women in Voice Festival at QPAC later this month.” Remarkably, not only is Katie juggling her busy role with the Queensland Music Festival with being a mum to sons Dexter, 13 and Jonah, 11, she is also the current musical director for the opening and closing ceremony for the Commonwealth Games. How on earth does she manage it all I ask incredulously? “With great difficulty sometimes,” says Katie. “It’s an extraordinarily busy time, but I have an amazing partner who is mainly a stay-at-home dad. I also have amazing kids who have always known that this is what Mum does. But the great thing about what I do is when I’m home, I’m really home and actually compared to a nine-to-five job, I certainly see my kids more than if I was in that situation.” Something tells me this is far from the end of Katie’s story and if her success so far is anything to go by, it will be one hell of a ride. ]]>